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    • Mid-Horns
    • K53k Adapter!
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    • Testimonials
    • Contact & Ordering
    • Whats New
    • Fastlane Catalyst
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    • Horn Design Evolution
  • Home
  • Mid-Horns
  • K53k Adapter!
  • Tweeters
  • Gallery
  • Links
  • Testimonials
  • Contact & Ordering
  • Whats New
  • Fastlane Catalyst
  • Slant Riser
  • Horn Design Evolution

Engineering the Modern Tractrix Horn

FastLane Audio Design Philosophy

  

  • 1670 – Claude Perrault poses the dragging-curve problem. 
  • 1692 – Christiaan Huygens studies and names the tractrix. 
  • 1920s – P. G. A. H. Voigt applies tractrix to loudspeaker horns. 
  • 1980s – Bruce Edgar popularizes practical rectangular tractrix horns. 
  • Today – FastLane Audio and ALK Engineering explore SymTrac™ geometry.


Three Centuries of Engineering

The tractrix curve is over three centuries old, but applying it inside an existing loudspeaker cabinet is still a modern engineering problem.

Originally studied by Christiaan Huygens in 1692 and later analyzed by Gottfried Wilhelm Leibniz and Johann Bernoulli, the tractrix became one of the most influential mathematical curves in horn loudspeaker design. In the late 1920s, P. G. A. H. Voigt applied the tractrix to loudspeaker horns, demonstrating principles that continue to influence horn design today.

During the 1980s, Dr. Bruce Edgar helped popularize tractrix horns for the home audio community by developing practical rectangular implementations that could be manufactured using the techniques available at the time.

Today, modern CAD software, acoustic simulation, precision measurement systems, and additive manufacturing allow horn designers to explore geometries that were previously impractical or impossible to manufacture.

FastLane Audio builds upon that history.


Every Horn Is a Series of Engineering Decisions

Every horn is a collection of engineering tradeoffs.

  • Mouth size vs. low-frequency loading 
  • Length vs. cabinet depth 
  • Directivity vs. bandwidth 
  • Smooth expansion vs. manufacturability 
  • Efficiency vs. frequency response 
  • Ideal theory vs. practical installation 

There is no universally "best" horn.

There is only the horn that makes the best set of engineering decisions for its intended application.

Our goal is to optimize those decisions through measurement, simulation, and listening—not by following a single design philosophy at the expense of all others.


Engineering Within Real-World Constraints

Every dimension is a compromise between acoustic performance and practical installation.

A theoretically ideal horn is not always practical when the mouth size, depth, driver location, and original cabinet opening are already fixed.

FastLane Audio's approach is to preserve the useful acoustic behavior of tractrix-style expansion while optimizing the geometry for real-world installation.

Rather than following a single curve blindly, each design balances throat transition, flare rate, mouth size, depth, directivity, printability, and cabinet fit to achieve the best overall result.

The objective is not theoretical perfection.

The objective is to make the best engineering decisions within the available space.


The Evolution of Rectangular Tractrix

The original tractrix horn is a surface of revolution—a round horn.

As horn designers adapted tractrix geometry to rectangular loudspeakers, practical implementations evolved to meet the manufacturing capabilities of their time.

FastLane Audio continues that process by exploring modern symmetric rectangular tractrix geometries made possible through CAD design, acoustic modeling, and precision 3D printing.

Our objective is not to reinvent tractrix.

Our objective is to continue refining its implementation within the constraints of existing loudspeaker systems while remaining faithful to the acoustic principles that have made tractrix horns respected for generations.


The SymTrac™ Philosophy

SymTrac™ began with a simple engineering question:

Can a rectangular tractrix horn maintain a more continuous geometric expansion beginning immediately at the driver exit?

The SymTrac™ geometry explores an approach where all four walls begin expanding immediately from the throat, maintaining continuous expansion in both axes from the very beginning of the horn.

This approach was developed to reduce unnecessary geometric compromises while remaining compatible with existing loudspeaker cabinets and modern manufacturing methods.

Every new concept is evaluated through measurement, simulation, and extensive listening before becoming part of a finished design.


Design Philosophy

FastLane Audio products are designed primarily for high-efficiency, two-channel music systems.

The design goals are straightforward:

  • Smooth frequency response 
  • More natural presentation 
  • Reduced perceived veil 
  • Excellent directivity control 
  • Compatibility with existing Heritage loudspeaker cabinets 
  • Practical installation with minimal system changes 

No single horn geometry is perfect for every application.

The goal is not to create the perfect horn.

The goal is to create the horn that best satisfies the engineering priorities of its intended application.


Acknowledgments

The SymTrac™ geometry is the result of a collaborative effort.

The original concept for exploring a symmetric rectangular tractrix expansion originated with FastLane Audio as part of our continuing effort to optimize horn geometry for existing loudspeaker cabinets and modern manufacturing methods.

Turning that concept into a practical design required the mathematical expertise of Al Klappenberger of ALK Engineering, who developed the computational program used to generate the SymTrac™ geometry.

FastLane Audio then applied those mathematical results to practical loudspeaker design through CAD development, 3D printing, measurement, and extensive listening evaluations.

We are grateful for Al's contribution and his willingness to help explore new approaches to horn design.


Looking Forward

Every generation of horn designers has worked within the limitations of the manufacturing methods available to them.

  • Huygens had mathematics. 
  • Voigt had the manufacturing techniques of the 1920s. 
  • Bruce Edgar adapted tractrix geometry using the woodworking and fabrication methods available to him. 
  • Today we have CAD, acoustic simulation, precision measurement, and additive manufacturing. 

Modern tools do not eliminate the need for sound engineering—they simply allow us to explore new ideas that were once impractical to manufacture.

FastLane Audio continues that tradition by combining established acoustic principles with modern engineering tools, always guided by the same objective:

Performance driven by measurement, simulation, and listening.

Engineered—not guessed.

Copyright © 2026 Fastlane Audio - All Rights Reserved.

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